Hexagram 6: Song -

Conflict
Fine Art
Unknown — Night Attack on the Sanjō Palace

Unknown — Night Attack on the Sanjō Palace

Unknown (13th century)

This 13th-century Japanese handscroll depicts the 1159 Heiji Rebellion, showing warriors attacking the Sanjō Palace. The vivid battle scene with flames and combat illustrates armed conflict between opposing forces.

Practical Integration

Flames consume the Sanjō Palace while warriors clash in the courtyard. This thirteenth-century Japanese handscroll depicts the Heiji Rebellion of 1159, the night when samurai supporting the Fujiwara clan attacked the imperial compound in Kyoto. The painting shows combat in vivid detail—soldiers grapple hand-to-hand, arrows fly, horses rear in panic as fire spreads through wooden buildings. Nobles flee in ox-drawn carriages while their guards fight desperately behind them. The scroll format allows the violence to unfold sequentially as you unroll it: first the approach, then the assault, then the burning palace interior where courtiers hide among flames. Two incompatible claims to power—imperial authority versus military force—collide in a single night. This is Sòng (訟), which combines Heaven (☰) above and Water (☵) below. The character 訟 contains the speech radical (言), suggesting legal disputation and argument. Water flows downward; heaven rises upward—divergent movement, incompatible directions. The Heiji Rebellion began when opposing factions could no longer coexist, when waiting degraded into violence. Ancient diviners saw this configuration when mediation had failed, when opposing interests moved toward direct confrontation. This 13th-century Japanese handscroll depicts the 1159 Heiji Rebellion, showing warriors attacking the Sanjō Palace. The vivid battle scene with flames and combat illustrates armed conflict between opposing forces. The Judgment warns: \"Conflict. You are sincere and are being obstructed. A cautious halt halfway brings good fortune. Going through to the end brings misfortune.\" The handscroll depicts what happens when conflict goes to completion: the palace burns, courtiers die, the imperial family scatters into exile. The attacking samurai won this particular battle but triggered decades of civil war. Ancient texts counseled seeking third-party judgment rather than pursuing victory—\"It furthers one to see the great man. It does not further one to cross the great water.\" Stop before the irreversible act, before crossing into destruction. The Image Text diagnoses the root cause: \"Heaven and water go their opposite ways: the image of conflict. Thus in all his transactions the superior man carefully considers the beginning.\" The rebellion's seeds were planted in earlier decisions, earlier incompatible appointments to power. In the I-Ching's sequence, Sòng follows Xū: when waiting becomes prolonged or frustrated, when neither party will yield position, conflict erupts. The scroll shows the moment when divergent forces collide, when words fail and violence speaks.

References & Citations

  1. Night Attack on the Sanjō Palace — Unknown-13th century. This 13th-century Japanese handscroll depicts the 1159 Heiji Rebellion, showing warriors attacking the Sanjō Palace. The vivid battle scene with flames and combat illustrates armed conflict between opposing forces.

The Judgment

訟。有孚,窒,惕,中吉,終凶。利見大人,不利涉大川。——你誠信但被阻,警惕地停喺中途就吉,推到底就凶。宜見大人,唔宜涉大川。

sòngcontention
yǒubeing
true
zhìyet resisted
wary
zhōngin
promising
zhōngat
xiōngunfortunate
worthwhile
jiànto see
the mature
rénhuman being
it
worthwhile
shèto cross
the great
chuānstream

The Image

天與水違行,訟之象。君子以作事謀始。——天同水各行其道:衝突嘅意象。君子喺所有交易中慎重考慮開頭。

tiānheaven
along
shuǐwater
wéicontradiction
xíngin movement
sòngcontention
jūnnoble
young one
accordingly
zuòconducting
shìaffairs
móuconsiders
shǐthe beginning

The Lines (爻辭)

Line 1不永所事小有言終吉

to avoid
yǒngprolong
suǒcertain
shìaffairs
xiǎothe small
yǒuhave
yánthings to say
zhōngin the end
auspicious

Line 2不克訟歸而逋其邑人三百戶無眚

not being
capable of
sòngcontending
guīone capitulates
érand so
takes refuge
one's own
home town
rénpopulation
sānis
bǎihundred
households
avoid
shěngcalamities

Line 3食舊德貞厲終吉或從王事無成

shíincorporating
jiùlong-standing
virtues
zhēnin order to persist
difficult
zhōngbut in the end
auspicious
huòas
cóngpursuing
wángsovereign
shìaffairs
no
chéngachievement

Line 4不克訟復即命渝安貞吉

not being
capable of
sòngcontending
returning
to approach
mìnga higher law
withdraw
ānto secure
zhēnthe certain
good fortune

Line 5訟元吉

sòngthe contest
yuánis most
promising

Line 6或錫之鞶帶終朝三褫之

huòsomebody
awards
zhīone
pánthe leather big
dàiand ribbons
zhōngby the end of
zhāothe morning
sānone will be three times
chǐstripped
zhīof them

Historical Context

Oracle Bone Script

天(☰)在上,水(☵)在下——上方嘅強力同光明,下方嘅深度同危險,朝住相反方向動。

Period

周朝

Traditional Use

『訟』描述內在失和,對立力量拉向唔同方向。古文建議唔好打官司推到底——最好搵調解人,搵個有智慧嘅中間人,停喺中途就算。

Character Analysis

個『訟』字,由『言』(說話)加『公』(公開、官方)組成——字面意思係公開辯論、法律爭端、喺權威面前陳述立場。衝突唔係靜默嘅內在掙扎,而係必須講出立場嘅對立力量。天同水本來就相反——一個升,一個降。卦教我哋,有啲衝突係強逼唔到解決。

Configuration

Lower Trigram

Upper Trigram

Binary

010111

Energy State

創造力向上升,深淵向下沉。上卦越強,下卦就沉得越深。相反方向產生摩擦、張力,無法解決。

Trigram Symbolism

☰ 天(上)— 創造、強力、堅持、向上 ☵ 水(下)— 深淵、危險、深度、向下 衝突源於對立本質朝相反方向移動。

For the classical Wilhelm translation and line-by-line commentary, see Wilhelm Translation.